I shared recent curatorial projects as Worm: art + ecology, with research on knowledge systems and sinophone speculative fiction relating to climate change. I highlighted the power structures that determine our climate narratives, and confronts how issues of injustice permeate from the colonial history of climate change.
- ‘What constitutes trusted knowledge?’
- ‘Who is in control of producing and sharing information?’
- ‘How does this information benefit or compromise marginalised groups?’